Finally, the ASPC Black Bat has arrived!

Late last week, I received the two volumes of the Airship 27 / Redbud Studio All-Star Pulp Comics I'd ordered some time back and read through them this past Saturday.  As expected, the Black Bat content was small, but entertaining nonetheless.

The story in volume one is written by C. William Russette and drawn by Wayne Beeman. The Black Bat's detective skills are on display here as Russette uses the bulk of the few pages he has to show us how the character approaches a mystery.

It's difficult to elaborate without giving anything away.  The book was released in 2011 but who knows how many people may just now be buying it (hell, *I* just did!).  I'll only say that I thought it was well done on that level and leave it at that.

The second's volume takes a broader look at the pulp era.  Many pulp-inspired stories take place in an urban setting but volume two, for the most part, utilizes a number of different locations and eras.  We get jungle tales, air aces, a little Robin Hood...But the big city backdrop returns for "Shootout at the Dry Martini", a Black Bat story by Todd Jones and artist Lee Oaks.

As the title might give away, there is a fair amount of action in these eight pages.  And I find the art completely, appropriately beautiful.  Here are a couple of (non-consecutive and non-lettered) pages.

Scarring around the eyes.  I'm a sucker for the eye scarring.

I believe work is underway for a third volume of All-Star Pulp Comics, though whether The Black Bat will be included is unknown to me.  The only other character to appear in both books (15 stories in total) is Domino Lady so there seems to be some attempt at variety, including some pulp-inspired original creations.  However a page of art by Redbud Studio's Rob Davis recently posted on the Black Bat Facebook group is certain cause for optimism.

Maybe The Black Bat even gets his own book from Redbud?  Let's see what happens.